In the film, Jessica Chastain and Brad Pitt play roles as parents in a family dealing with apparently ordinary things. The reviewer, Mick LaSalle, wrote:
.
- [Director] Malick shows you the world that you know, but he shows it in such a fever that you see it, not differently, but completely. It's a vision so alive to the mystery in everything that the simple depiction of a man walking into an office building feels like a feast of limitless possibility and geometric variety.
-
At its most basic, "The Tree of Life" vividly replicates, in cinematic terms, the way we remember. There are general memories, moods and sensations, and then there are incidents and bits of conversation that are recalled with absolute present-tense lucidity. And so the incidents of voice-over are interspersed with straightforward scenes showing this 1950s family. Malick is trying to give us life as it is consciously experienced, the unceasing inner monologue and its interplay with the outside environment, the thoughts of the past mixing with the suspended and yet always available present.
The ambition behind such an attempt is enormous, and Malick's success is complete. But he doesn't stop there. In "The Tree of Life" he doesn't only want to show what life and consciousness feel like. He wants to capture the nature of life - what life is. To this end, he films waterfalls and mountains, gives us long minutes of churning, multi-colored ooze floating in space, and even includes a brief dinosaur interlude.
-
When he stays within the multiple minds of his various characters, Malick is working here at the level of genius. His hand-held camera hovers with a sense of impending revelation. The beauty is beyond description. But when he ventures into explorations of the universe and its origins, the work becomes general and less interesting, liked warmed-over Kubrick.
Still, there is little doubt that "The Tree of Life" will stand as the cinematic achievement of the year.
